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TV and cinema can fall into the trap of only representing stories of Black pain, but Edusah feels it's all about balance. I wanted people to see a Black face in that sea of soldiers."ĭon’t blink you might miss me 👀 #1917Film /5u5xh3lhhn- Elliot Edusah January 10, 2020 As a Black man on the set of a WW1 film, I was representing a demographic of soldiers that rarely gets spoken about. "That's why I felt my role in 1917 was so important, too. It feels like I'm speaking to my ancestors and the people who broke down doors before us," he notes. I feel a big responsibility when I do those stories that feel like they've been hidden or undiscovered for years.
I'm part of that community today, so I related to it a lot. "That story was about South London boys in the '80s. In Small Axe's episode Alex Wheatle, however, Edusah felt more comfortable with his character. I'd have let this man stay! But when I choose roles, it's about telling stories the world needs to see." "It doesn’t have to be honest in mine or the audience's favour, but it has to be true," he continues.Įdusah describes his role in Sitting In Limbo as a less-than-sympathetic Immigration Enforcement Officer as a "tough spot" to be in: " went against every grain in my body. Shot shortly before COVID hit, this scene had a lucky escape from lockdown restrictions and social distancing.įor Edusah, authentic storytelling is always key for him when choosing projects. While Edusah wasn't shooting on this day, he rocked up at the Ministry of Sound to see the likes of Wretch 32, Manny Norte, Lonyo and Mercston. Yates also called on friends from his garage days to help the cast do their research into the era, with many turning up to be in one party scene. Reggie's efforts made us want to go above and beyond for this project."
"At this point, we didn't even know that COVID existed, so I think forming those connections kept the chemistry alive when we did eventually get on set. That's where we really bonded," he recalls. He even took us to Richard Curtis's beach house for a couple of days before filming. But we could WhatsApp or call him anytime. "I know he was going through his own things in lockdown, we all were. The cast's on-screen chemistry is clear and it's the same off-screen as Edusah calls Elazouar and Peters his "brothers", as well as praising Yates for always being there for them. There was a lot of improvisation and creativity."
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"I naturally crack silly jokes or say the wrong thing and get away with it and Reggie just allowed us to be funny. "After doing a lot of intense projects about race, I wanted to do something fun that I didn't need to mentally prepare for every morning," he explains.
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But their plan to take things to the next level seems to be skewered when Cappo plans to quit as manager, with university leading him down a different path.įor Edusah, Pirates was a breath of fresh air after turns in WW1 blockbuster 1917, Steve McQueen's Small Axe series and BBC Windrush drama, Sitting in Limbo.
In a love letter to the '90s garage scene, the friends call themselves the Ice Cold Crew and have experienced success on pirate radio. What follows is a nostalgic romp from North to South London, with hilarity, heart and a high BPM along the way. Starring as Cappo in Pirates, writer-director Reggie Yates's comedy feature debut, Edusah stars alongside Reda Elazouar (Kidda) and Jordan Peters (Two Tonne) as the trio desperately try to get their hands on tickets for 1999's hottest garage night, Twice As Nice. Elliot Edusah, one of Digital Spy Rising's 30 Black British stars of tomorrow, is about to have a wild New Year's Eve.
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